Lees meerRob: You could have a costume drama here, couldn’t you?
Steve: I would just love to do a costume drama in these hills, leaping, vaulting over dry stone walls with a scabbard, with that dead look in my eyes, ‘cause I’ve seen so many horrors that I’m sort of immune to them, and they always say something like, “Gentlemen, to bed! For we leave at first light. Tomorrow we battle, and we may lose our lives. But remember: death is but a moment. Cowardice is a lifetime of affliction.”
Rob: Nice.
Steve: To bed, for we rise at daybreak!
Rob: Very good. Very impressive.
Steve: But they always leave at daybreak. They never leave at, you know, nine-thirty. “Gentlemen to bed, for we leave at nine-thirty!”
Rob: Ish.
Steve: Ish. “Gentlemen to bed, for we rise at… What time is the battle? About, oh, twelve o’clock? Twelve o’clock. How is it on horseback, about three hours? So we leave about eight, eight-thirty?”
Rob: Eight-thirty for nine.
Steve: “Gentlemen, to bed! For we leave at eight-thirty for nine. And we rise at just after day- seven-thirty, so just after daybreak. Gentlemen to bed, for we leave at nine-thirty on the dot. On the dot.”
Kostelijk
Ik zet even op een rij wat tot nu toe, anderhalve week na de release, de reacties zijn geweest op We vergaten te voetballen, mijn boek over hoe trainers en voetballers praten. Dat is wat narcistisch misschien, maar aan de andere kant, dit is mijn blog. Op 4 mei was ik...Oma
Oma raakte opa al vroeg kwijt. Hij stierf in 1993, toen ik tien was. Opa was een landmeter, iemand die stukken land in kaart brengt. Van hen tweeën samen herinner ik me een specifiek beeld: dat ze weer in de auto stapten na een bezoek aan ons. Hij ging achter het...Lees meer“I will,” I say. I stand there wanting to say something else. But I don’t know what. We keep looking at each other, trying to smile and reassure each other. Then something comes into her eyes, and I believe she is thinking about the highway and how far she is going to have to drive that day. She takes her eyes off me and looks down the road. Then she rolls her window up, puts the car into gear, and drives to the intersection, where she has to wait for the light to change. When I see she’s made it into traffic and headed towards the highway, I go back in the house and drink some coffee. I feel sad for a while, and then the sadness goes away and I start thinking about other things.